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Home Before Dark

Average Rating:

1

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3

4

  • If I Don't See You Again
  • Pretty Amazing Grace
  • Don't Go There
  • Another Day That Time Forgot
  • One More Bite Of The Apple
  • Forgotten
  • Act Like A Man
  • Whose Hands Are These
  • No Words
  • The Power Of Two
  • Slow It Down
  • Home Before Dark
  • Without Her (bonus track)
  • Make You Feel My Love (bonus track)
  • Pretty Amazing Grace (video)
  • If I Don't See You Again (video)
  • Forgotten (video)
  • The Boxer (video)
  • US
    Columbia
    88697 15465 2
    CD
    2008
    12 track edition
    US
    Columbia
    88697 28078 2
    CD
    2008
    Contains 2 bonus tracks and 4 track DVD.
    US
    Columbia
    88697-15465-1
    2LP
    2008
    Contains 2 bonus tracks.

    HBD - by knackelflerg on January 11, 2009

    After 12 songs, I wondered what could be next as I figured it would be hard to follow. However, once I heard the opening track, I remember thinking to myself..."he did it again" I think that's what I like about Neil so much. He gets you on every level and just when you think he has outdone himself, and can't possibly top it...he does! While I think I connect on a more emotional level with 12 songs, this album is as good. Keep 'em coming Neil you can do no wrong! (at least in my eyes)

    Nice album - by rafiti on November 16, 2008

    after the total disapointment for me with 12 songs,when i start to get scared of another 12 songs vol.2 i got the good surprise of an album who really sound like a ND album,not match for me the quality of MCA of 70's columbia albums,but the most of the songs are good and don't sound repetitive like the 12 songs filler.

    HBD - by jordan04n06122001 on September 27, 2008

    ...beyond any expections I may have ever had for NDiamond...pours out his heart and soul as he bares himself to the public as never before...brilliant just brilliant and I feel more is to come....devoted

    "Neil Diamond Get Home Before Dark" Davis Henderson - by fasteddie on August 10, 2008

    It took Neil Diamond more than forty years but over the last two albums he has finally become the song writer that he should have been all along. If he had only possessed producer Rick Rubin, to lead him by the hand decades ago, he'd surely be in the Rock & Roll Hall of Fame by now.

    What Rubin gave to Diamond is that very "sense of proportion," that Rolling Stone's critics accused him of sorely lacking. It is amusing when one listens to both the 2005 "12 Songs," and the current effort, "Home Before Dark," as you hear Neil trying to break out into his old melodramatic, self indulgent, style, when just as quickly Rubin reels him back in.

    This striped down acoustical effort begins with the heartfelt "If I Couldn't See You Again," which seems truly personal to the vocalist. One wonders if he had not suffered a break up with his thirty-six year old flame, Rachel Farley? "Pretty Amazing Grace," the single from the album is a nice tune with well done chord changes, as well as raw emotions. The third song on the album, "Don't Go There," is the first up tempo effort here. The song works not only because it is well written, but also due to the fact that it truly takes you back to Diamond's MCA-UNI days, and songs like "Ain't No Way," and "High Rolling Man." This one should work even better in concert, as should his emotional duet with Dixie Chicks, Natalie Maines, "Another Day Time Forgot." Diamond gives it his usual plodding sensitivity, and Maines provides incredible vocals to close out this beautiful if haunting ballad. "Another Bite of the Apple," is the longing to return to the basic song writing that he knew so many decades before in Tin Pan Alley. Isn't this the real point of the last two albums? "Forgotten," is a fun expression of the rejection he has felt from the mainstream music world that discounted him years ago as a hit maker. Though his spelling out the word F-O-R-G-O-T-T-E-N, is a bit much to take. "I tried to do everything I knew. Don't seem fair cause look where you left me. You've got me waitin out back under a stack, stuck in a bin," A call to radio stations? Next comes the best song on he album, a country softy called "Act Like a man." This is a song written by Diamond back in the early 80's that was rejected by his record company at the time as "not commercial enough." Which may explain a big part of Diamond's problems during that era. The rest of the CD contains much of the same, "No Words," the wordy, bouncy, tune shows off Neil's guitar competence. "The Power of Two," at least sounds pleasant, even though it flirts a bit with the corny Neil that he is trying to make us all forget. "Home Before Dark," the song, is a slow ballad but you can tell the man was feeling it.

    The genius of "Home Before Dark," the album, is that Neil Diamond brings forward the inner most thoughts of an aging pop star who knows nothing lasts forever. Though once senses that this album will surely stick in the minds of his fans for a very long time. It should catch the attention of the Grammy people as well.


    The real question is, will the gods of the Rock & Roll Hall of Fame, ever forgive him for turning on his "Heartlight?"

    It just chill's me out - by maggie57 on August 7, 2008

    What a treat HBD is I love the guitar work it has inspired me Neil has always been my music,the good thing is that no matter what any of the press guys say he will still write music and it won't matter who the producer is the music will come from Neil's heart and that is what wins through every time.

    Possibly Neil Dioamond's finest recording - by Michael on July 24, 2008

    With one or two exceptions, most notably The Jazz Singer in 1980, Neil Diamond's musical output since 1976's Beautiful Noise has been dragged down by over-production and self-indulgence. It was only in 2005 when he was persuaded by Rick Rubin to allow Rubin produce what was to become 12 Songs that we were given a glimpse, once again, of the enormous songwriting talent that is Neil Diamond. That album stripped away all pretension and put Diamond's voice front and centre singing songs that were beautifully written and delivered with honesty and integrity. Home Before Dark is their second collaboration and, if anything, produces even better results. Here we have songs written from the heart, lyrically deeper than Diamond has ever gone before, melodically crafted to perfection, sometimes soothing, sometimes heart wrenching, sometimes joyful, sometimes painful: always striking powerful emotional tones. The opening track, If I Don't See You Again, running to a full seven minutes sets the tone. It is elegant and beautiful and soul-searing in its final crescendo. Pretty Amazing Grace is a hymn to the power of love and hooks the listener from the start and never lets go thereafter. It is performed masterfully by Diamond. Another Day (That Time Forgot) is a magical duet with Natalie Maines. The pitch of her voice counterpoints beautifully with the gravelly emotion of his and this song, paradoxically, is both pretty and guaranteed to tear your heart out. Forgotten, Don't Go There, and the title track are all stand-outs on a recording that contains no fillers. All in all, if you are a fan of Neil Diamond, the song-writer, you should love this collection of songs. If you have previously been turned off his music by the popular perception that his material is over the top and schmaltzy, do yourself a favour and give this recording a listen. You will be very surprised by what you hear.

    My Favorite - by Holly-Holy on June 10, 2008

    The entire "Home Before Dark" seems much "heavier" than "12 Songs" did. I have been experiencing a deep, dark depression for 3 years now, along with menacing generalized anxiety and panic. I have not been able to get into any music AT ALL for MONTHS.

    Then I got HBD -- I play the track "No Words" over and over again. It's upbeat and happy and really touches me in a way that I haven't been "reached" in months, years.

    Thank you again, Neil, for reviving at least a little tiny bit of me -- You've revived me before, and now again.

    Love & Hugs,
    Holly
    www.holly-holy.com

    A Prolific Partnership Continues - by Rich on June 4, 2008

    With "Home Before Dark" Neil Diamond and producer Rick Rubin succeed more often than they fail in continuing the creative renaissance they began with Diamond's 2005 collection, "12 Songs." The new album's highlights ("Don't Go There"; "Another Day That Time Forgot") can take their place along side the finest recordings of Diamond's 4 decade career and would have been at home on any of his late 60's or early 70's albums. Less effective ("No Words"; "The Power of Two") are songs which find Diamond retreating to pedestrian melodies and trite, cornball lyrics.

    One could quibble about the rest. The otherwise fine album opener "If I Don't See You Again" loses cohesion before the end of its seven minute duration and Ben Tench's heavy handed keyboard work is more often an irritant than a complement. Overall, however, "Home Before Dark" showcases fine song-craft in a worthwhile second collaboration between Diamond and Rubin.

    Bonus covers of Harry Nilsson's "Without Her" and Bob Dylan's "Make You Feel My Love" are well worth the higher price of the deluxe edition.

    From Rolling Stone Issue #1052 May 15,2008 - by tomz on May 9, 2008

    Neil Diamond
    Home Before Dark
    3 out of 5 stars

    The legend gets pared down to guitar, piano and his own desperation.


    "I hated sleeping around," a forlorn Neil Diamond sings on the opener from his second collaboration with Rick Rubin. "God knows it's lonely out there." The stripped-bare, acoustic song sets the tone for an album in which an emotionally naked Diamond repeatedly suggests that without his girlfriend - 36 year old Rachel Farley - he'd be near suicide. Like Johnny Cash's Rubin-produced American Recordings series, Home Before Dark/i> cuts the music down to its essence, scrapping the overproduction that has marred Diamond's albums since the Eighties. The best tracks - like his Natalie Maines duet, "Another Day (That Time Forgot)" - evoke early-Seventies classics like "I Am....I Said." But the album gets hokey in the second half with "The Power Of Two", and Diamond veers into matchbox wisdom on "Slow It Down", a step-by-step guide to abandoning the fast track. "Take your time, and you'll find your time has meaning," he sings. If that's true, then there's still time left for a third Rubin-produced disc - and a chance for him to finally get it right.

    Andy Greene

    From The Times (London) - by Bev on May 8, 2008

    The Times (London)

    Neil Diamond: Home Before Dark review | CD reviews | Music - Times Online

    Thursday, May 08, 2008
    3:24 PM

    May 9, 2008
    Neil Diamond: Home Before Dark

    Pete Paphides

    "Follow that!" If there are two words that will haunt Neil Diamond to the grave, it'll probably be the ones he was said to have directed at Bob Dylan as Diamond walked offstage at the Band's legendary 1976 farewell show the Last Waltz. That the episode has assumed such notoriety speaks volumes about the way music fans once perceived Diamond. What he lacked in self-awareness, he appeared to make up for in self-regard.
    All that changed, though, when the producer Rick Rubin sat Diamond down, made him listen to his Sixties hits - Solitary Man, Girl You'll Be a Woman Soon, Red Red Wine - and made him analyse what was good about them. Released two years ago, the resulting album, 12 Songs, seemed to be the result of Rubin persuading Diamond that maybe there weren't too many years left on this planet to remind everyone just what a great tunesmith he once was.
    Placed at the very beginning, If I Don't See You Again is clearly supposed to pick up where 12 Songs left off. Diamond's affably artless fretboard technique frames a farewell to a loved one that, nonetheless, needs a melody to match its sincerity.
    Of course, Diamond is incapable of singing anything with less than 200 per cent, gasket-bursting sincerity. Therein lies the tragedy of the songs on Home Before Dark - their creator has clearly sweated over them. But only a couple square up to Diamond's past achievements: the crisp, twilit haiku to marital contentment that shares its title with the album, and Pretty Amazing Grace, a wonder-drunk hymn to love's soul-redeeming power.
    Elsewhere, however, the lack of focus and inability to self-edit is astonishing. One More Bite of the Apple and Act Like a Man hint at the struggles that Diamond seems to undergo when immersed in the creative process. "Songwriting," he explains on the latter, "it's just a little bit frightening/Like playing with lightning." As ad hoc tutorials in composition go, this one shoots itself in the foot.
    Cautioning its protagonist against the ills of "looking for love in the back of a limousine", the lyrically top-heavy Don't Go There is one of several songs that outstay their welcome by several minutes.
    Though it would have been nice if Diamond himself had noticed these deficiencies, that's the job he employed Rubin to do. On 12 Songs his sparse production revealed Diamond's melodic flair - here, he exposes the lack of it.
    Because of that, the back-to-basics approach that only recently seemed so exciting now feels like a marketing gimmick designed to make you believe that Diamond has somehow repented the cheesy alter ego who penned Forever in Blue Jeans and Sweet Caroline. But, cheesy or not, Home Before Dark could sorely do with some songs of that calibre.
    (Columbia, TMS £11.99, call 0845 6026328)

    From the Boston Globe - by Bev on May 6, 2008


    Neil Diamond
    Home Before Dark (Columbia)
    By Dean Johnson

    Three years ago, with the release of "12 Songs," Neil Diamond reminded the world that under all the sequins he is a serious and often striking folk-rock songwriter. Producer Rick Rubin was the mastermind behind 2005's stripped-down acoustic gem, and the pair has reunited for Diamond's new album, "Home Before Dark." This year's model is not quite as stark or stirring as its predecessor; the emphatic melodic thrusts and vocal bravado of "Whose Hands Are These" and "No Words" will resonate with fans of Diamond's adult-contemporary glory. But the album remains true to the organic blueprint that casts Diamond's gifts in a fresh, gratifying light. "If I Don't See You Again," the earnest seven-minute opener, sets the album's lyrical tone: love - newfound but mainly long-lost - as personal salvation. Clear-eyed nostalgia is no small trick, but on "Pretty Amazing Grace" and "Another Day (That Time Forgot)," a lovely duet with the Dixie Chicks' Natalie Maines, Diamond takes stock without bitterness or regret. The most gratifying tracks are the ones that sacrifice every shred of bombast to plumb Diamond's humbler roots. "Forgotten" smacks of the young pop craftsman who composed "I'm a Believer," while country waltz "Act Like a Man" reads like a memo to self - delivered in the humble tones of someone who hasn't given up on getting better.

    © Copyright 2008 Globe Newspaper Company.
    Getting older and getting better


    From The Dallas News - by Bev on May 5, 2008

    CD reviews: Neil Diamond

    07:03 PM CDT on Monday, May 5, 2008


    Neil Diamond

    B+

    Home Before Dark

    (Columbia)

    DIAMOND'S DAY: Johnny Cash sealed the revamp of Neil Diamond's reputation with his 2000 album American III: Solitary Man, imbuing the title track - one of Mr. Diamond's best-known compositions - with the cool imprimatur only the Man in Black could provide. Producer Rick Rubin reintroduced Mr. Cash to the world with the American series, so it made nothing but sense when he turned his full attention to Mr. Diamond on the 2005 album 12 Songs. The results highlighted Mr. Diamond's singer-songwriter core and eschewed his showbiz glitter.

    ART, CRAFT, HEART: Although Home Before Dark continues this simple, basic approach, there is no lack of tasteful polish, and not only because Mr. Rubin calls upon his favorite session men (including guitarist Mike Campbell and keyboardist Benmont Tench). Remember, Mr. Diamond is a consummate craftsman with more than four decades of experience. And he is a hopeless romantic whose ardor burns intensely whether or not love is with him. Prolonging a farewell on "If I Don't See You Again"; singing with the Dixie Chicks' Natalie Maines about an affair that dissipated, on "Another Day (That Time Forgot)"; or stomping and strumming his earnest desire on "No Words," his heart is as vulnerable as his grainy, oaken voice is not.

    BOTTOM LINE: The exhilarating sound of a mature man truly reconnecting with his younger, hungrier self.

    Jon M. Gilbertson


    Review from MassLive.com - by Bev on May 4, 2008

    Neil Diamond, "Home Before Dark" (Columbia) 3.5 stars.

    Getting Neil Diamond out of his Vegas mode was not an easy task.

    Producer Rick Rubin, best known for his career in the hard rock/hip-hop realm until he worked wonders on the final Johnny Cash albums, partially succeeded in getting Diamond back to his roots on their first collaboration, "12 Songs" in 2005. There were some fine moments on that album, and Diamond started to show signs that he was reawakening from a long slumber, regaining the songwriting spirit that was found on his early masterworks like "Solitary Man," and "I'm a Believer."

    Rubin and Diamond are back together on "Home Before Dark," which takes their free-flowing brand of chemistry to the next level. On practically every song, Diamond sounds more confident, more in control and more impassioned than he did last time out.

    When he sings with Dixie Chick Natalie Maines on the piano-based ballad "Another Day (That Time Forgot)," their voices blend beautifully; when he carries an irresistible melody over shimmering guitars on "The Power of Two" it's a refreshing reminder of all that got lost during those years when he scored staggering commercial success; and when he turns in the spirited, deeply reflective "One More Bite of the Apple," he seems positively energized.

    As he sings in the latter:
    "Been away from you for much too long/Been away but now I'm back where I belong."

    It's been a long journey home but Diamond is indeed back in a big way.



    HBD review from The Miami Herald - by Bev on May 2, 2008

    ALBUM REVIEWS
    Album reviews | Neil Diamond turns out another winner
    Posted on Fri, May. 02, 2008

    * POP
    NEIL DIAMOND
    Home Before Dark
    Columbia
    *** ½
    If 12 Songs, Neil Diamond's striking 2005 collaboration with producer Rick Rubin, renewed your love of Diamond's songwriting, the pair's follow-up, Home Before Dark (out Tuesday) is a must-have.
    'Just go out there and face what you did before / Did it once you can do it once more,' Diamond sings on one of the album's many highlights.
    Diamond cuts deeper lyrically and the production is even simpler, utilizing hard-strummed acoustic guitars to carry the melody and provide percussion.
    Dixie Chicks singer Natalie Maines turns out for the haunting duet Another Day (That Time Forgot). The album's first single, Pretty Amazing Grace, immediately takes its place on this songwriter's top shelf. Home Before Dark is a true contender for Grammy's Album of the Year.
    As impressive as this is, Home Before Dark isn't quite as revelatory as 12 Songs. The CD is a more challenging listen given the near demo-like feel of the arrangements, and a few songs are overlong. The plodding Slow It Down, for instance, takes itself too literally. Still, Diamond and Rubin are creating a powerful body of work few could have predicted and even fewer could surpass. A third dozen would be most appreciated.
    Pod Picks:Pretty Amazing Grace, Another Day (That Time Forgot), One More Bite of the Apple.
    -- HOWARD COHEN

    Billboard review - by Bev on May 2, 2008

    Billboard CD reviews: Neil Diamond
    (Reuters, Saturday May 3, 8:33 AM)
    ARTIST: NEIL DIAMOND
    ALBUM: HOME BEFORE DARK

    NEW YORK (Billboard) - Though Neil Diamond is riding the good will created by 2005's Rick Rubin-produced "12 Songs," there is a song on "Home Before Dark" called "Don't Go There," and the danger of overemotive "Heartlight"-ness always looms. While not quite as revealing and rewarding as its 2005 cousin, the new album will certainly please fans of Rubin and Diamond's stark-yet-comfy acoustic direction. The sprawling opener, "If I Don't See You Again," has the right sprinkling of epic; "Another Day (That Time Forgot)" is a gorgeous duet with Natalie Maines. It's hard to shake the feeling that "Home" sounds like the younger brother of "12 Songs," but it's a warm, supremely confident next step in Diamond's unlikely renaissance. Best of all, there's not a seagull to be found.






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